Our History

OUR HISTORY

The National Archaeological Museum of Reggio Calabria has been recognized as one of Italy’s most prestigious archaeological museum institutions, following the autonomy established by the MiBACT Reform of 2014.

The building that houses it is among the first in Italy to be designed exclusively for museum exhibitions. It is named after Marcello Piacentini, one of the leading exponents of early 20th-century architecture, who conceived it with a modern approach after visiting the most important museums in Europe. Located in the heart of the city, the Museum is an essential element of Reggio Calabria’s landscape and daily life. On one side, it faces the central Piazza De Nava, while on the other, it overlooks the “I. Falcomatà” waterfront, offering a stunning view of the Strait.

The National Archaeological Museum was born from the fusion of the State Museum with the Civic Museum of Reggio Calabria, the latter opened on 18 June 1882 to house the numerous archaeological finds from the area. Its seat was initially on the premises of the Municipal Library, but as the collections grew, between 1887 and 1889, it was moved to a building next to the Roman baths, which had just been discovered at the time. During the earthquake of 1908, the Civic Museum building suffered extensive damage, so the process of establishing a National Archaeological Museum was accelerated, strongly desired by, among others, Paolo Orsi, who was appointed the first Superintendent of Excavations in Calabria in 1907. On 22 May 1948, an agreement was signed between the Municipality of Reggio Calabria and the General Directorate of Antiquities of the then Ministry of Public Education, which provided for the latter’s use and acquisition of the collections of the Civic Museum, which was thus abolished.

Partially opened to the public in 1954 and inaugurated in 1959, the Museum has undergone major transformations over the years. In 1981, the underwater archaeology section was set up to give adequate visibility to the Riace Bronzes, considered among the world’s most significant masterpieces of Greek art. Before the most recent reorganisation, which completely changed its internal layout and exhibition itinerary, the second floor housed the precious collection of paintings belonging to the Civic Museum, which can now be admired in the nearby Municipal Art Gallery.

In November 2009, the Museum was closed for restoration and finally reopened to the public on 30 April 2016. The main element of the current layout is the new inner courtyard, covered by a transparent glass ceiling, supported by a technologically advanced structure. Thanks to this technique, the atrium is flooded with light. The basement of the Palazzo Piacentini houses two large rooms for temporary exhibitions; inside the long side corridor, there is a lapidarium. The MArRC also has an internal archaeological area: a strip of the large Hellenistic necropolis discovered during the construction of the building.

The Necrópolis Helenística

During the construction of the National Archaeological Museum of Reggio Calabria in 1932, one of the necropolises relating to the settlement of Rhegion from the Hellenistic period came to light. The large burial ground must have developed in today’s Piazza de Nava and was connected to another area for funerary use, located in the nearby area of Santa Lucia, near Via Veneto. The excavated tombs, about 100 in number, belong to several types. From simple ustrina (remains of incineration on a pyre) in ‘box’ burials to more elaborate ones such as brick chambers with a barrel vault or with a ‘folding’ tiled roof.

The necropolis is dated between the 4th and 2nd century B.C., but the presence of older material has led to the assumption that the area was used for the same purpose as early as the Classical period. Some finds from the burials are included in the new exhibition route (level E).

The Lapidary

The artefacts that make up the lapidary come from a nucleus donated by the Reggio Calabria Civic Museum, subsequently enriched by the findings of the numerous archaeological investigations conducted in the area. The section, located on level E, exhibits monumental inscriptions, marble bases and numerous architectural and decorative devices of various eras, capitals, and column shafts which belonged to various buildings of the Greek and Roman cities of Calabria.

The Deposit

The storage rooms are located in the basement and they keep the materials from the old civic collections, those from archaeological investigations in the region and from chance finds, subdivided according to geographical origin and contexts, with a subsequent division according to excavation years.

The Photography Laboratoy

Located on the top floor of the building, the photographic workshop is equipped with state-of-the-art equipment for the documentation and photographic reproduction of artefacts. The recording of images of the objects is necessary, in addition to the inventorying, documentation and monitoring of their state of preservation. The laboratory also houses the museum’s photographic archive and preserves the memory of individual artefacts and contexts through images.

The protagonists

  1. 1
    Monsignor Antonio Maria de Lorenzo
  2. 2
    Paolo Orsi
  3. 3
    Edoardo Galli
  4. 4
    Paolo Enrico Arias
  5. 5
    Alfonso De Franciscis